By Terescia Harvey

Many requirements of a good critique partner vary from person to person, but some are important enough that you should always look for these characteristics in anyone with whom you are considering becoming partners. Building a good relationship with your critique partner is vital to maintaining a productive relationship.

What makes a bad critique partner?

* Is that her husband you hear laughing in the background when you ask her what she thought of your latest efforts?
* It takes two months to get back a 5 page scene you sent her. And even then the remarks are sketchy.
* Okay, let’s clear something up: Critique partners should make suggestions, not demands.
* And of course, when she demands you make changes, and then gives an example for you to follow, you fight an irresistable urge to laugh. Don’t all the how-to books say you shouldn’t use dialogue tags to describe character emotion?
* She can dish it out, but she sure can’t take it!

What makes a good critique partner?

* She never lets others see your work, even under the threat of torture. If you can’t trust each other, what’s the point?
* You read something she sends you and you are amazed. The witch writes twice as good as you do, even in your dreams.
* A basic grasp of grammar and punctuation never hurts, since one cannot always depend upon one’s own ability to tell a semicolon from a comma at three in the morning (one of the best times for writing, in my opinion).
* She is firm in her belief that you are a good writer, but she is never hesitant to point out ways for you to improve your craft.

Other considerations

Do you like this person? I mean, you don’t have to, and that’s a fact, despite what some people might say. However–and this is a big, big however–if you don’t like this person, the first time she (or he) gives you a critical analysis of your work that you don’t agree with, you will be tempted beyond belief to chalk it up to what you perceive as this person’s character flaws. So if you don’t like this person, think long and hard about taking her on as a critique partner. You have to really believe you will learn something from this person that you couldn’t learn from anyone else.

It doesn’t matter what genre or category your critique partner writes in. No, seriously, it doesn’t matter. What matters is what genres or categories your critique partner reads. You want someone who knows what your readers will expect, because let’s face it, romance readers have certain expectations, whether they’re regency period readers, romantic suspense readers, or Harlequin Blaze readers. If your story doesn’t meet those expectations, you aren’t going to have much luck (if any) finding a buyer for that book.

Don’t be afraid to try people out. No one (normal anyway) will mind if you want a trial period before you make a partnership official. It’s worth the effort and time involved to find the right person. When I found my current critique partner, the quality of my writing improved, and I started writing twice as much as I was writing before I met her–my competitive spirit kicked in (and having someone eagerly waiting for the next chapter sure didn’t hurt). And now, I can honestly say, my critique partner is one of the best friends I have.

Writing is hard work, and every good writer deserves one hell of a critique partner. So get out there and find one, and by the way, don’t be afraid to dump that critique partner from hell–just don’t forget to change your email address before you do it…

© Terescia Harvey

by Brenda Hill

As writers, we dream of awed people asking about our books. And in our dreams, we dazzle them with a fascinating narrative that’ll keep them spellbound and eager to dash out to buy our books.

I had that dream too. Then I woke to a humiliating experience because I was unprepared. I didn’t have a tagline.

A tagline can be defined as:

A summary
A premise
A one-line slogan

While condensing a novel to, say, three dynamic paragraphs for a query or a back-cover blurb is torturous enough, cutting it even further into a catchy one- or two-liner tagline is nightmare material. Not only does it have to brief, but it must hint of the theme, tone, characters, problem, and you must make it interesting and powerful enough to entice readers into buying your book.

Simple, isn’t it?

Sure. As another writer said, “It’s like opening a vein.”

But it’s something, no matter how painstaking, you should do.

My determination to write a tagline was the result of a simple question:

“What is your book about?”

My first novel, Ten Times Guilty, had just been released, and I was admiring it over lunch at my local Denny’s, almost hugging it to me in glee, flying so high I felt sure I could touch the stars. When a woman on her way to the cashier saw my book and stopped to ask THE question, I hadn’t prepared something short and catchy, so I rambled on and on, trying to remember my three-paragraph blurb. But the more I talked, the less I remembered, so I started rambling. When I noticed her eyes starting to glaze, I babbled on, trying to ‘fix’ what I’d said by explaining even more.

Finally, she mumbled something and ran out the restaurant. I think, in her haste to escape me, she sailed right past the cashier. Staring after her, I felt so humiliated that I gathered my things and left as well. I waited a few moments at the door, though; I didn’t want that poor woman to think I was chasing after her.

Oh, talk about nightmarish times, but after that, I was determined to research taglines and learn how to write them. I wanted something I could spout when asked THE question, something that would cause them open their mouths in awe and demand, “Where can I get a copy? I MUST read your book.”

When I got online, I found some great taglines that I liked, so I copied them, and, using them as examples, I practiced writing my own. It took page after page after page of revisions, of writing the high points of my novel and cutting, condensing, and smoothing before I was satisfied. I never did reach the perfection of a one-liner, but I was happy with the final two sentences:

Ten Times Guilty…

…about a single mother’s struggle for worth after a vicious attack. It’s about a police sergeant seeking redemption for a crime he didn’t realize he had committed—until the victim died.

I’m still working on one for my new novel, Beyond the Quiet, due to be released in February 2009:

Lisa Montgomery thought her husband’s death was the worst that could happen—until she discovers his secret post office box.

Another attempt:

…it’s about a woman who struggles through grief, loss, betrayal, and rage, learning to cherish each moment and follow her long-buried dreams. It’s the story of how a quiet, passionless widow becomes spirited enough to climb onto her lover’s shoulders for a piggyback ride in the nude.

I’ll do more rewriting, but at least I have a starting point. Practice writing your own, so that you’ll look and sound like the professional you are when someone asks THE question.

Some examples I loved:

Wide Awake (1998)
Struggling to adjust to his beloved grandfather’s death, a boy seeks understanding of God, life and injustice.

When Secrets Kill (1997)
A man is suspected of killing his daughter’s birth mother, whose unexpected arrival shatters the family.

Notice how they’re short but punchy, and at the same time they’re very precise. And when writing your own, remember to include:

1) Who is the story about?
2) What do they want?
3) What is the problem or conflict?

Remember, as writers, we need to paint a picture with words.

Look at the following, two of the best taglines I’ve seen:

A minister’s wife confronts her long-buried past when her illegitimate daughter shows up after twenty years.

Can’t you just see the wife and want to know the story behind the tagline? Doesn’t that make you ask questions?

Why did she give up her daughter?
Is her husband a strict, non-conforming husband?
Does she live in a small-judgmental town?
And her daughter. How will her daughter feel?
Will she harshly judge her mother? Will she be warm to her mother or will she be resentful?

And this one:

Two brothers fight on opposite sides in the Civil War and come face to face on a battlefield.

Who doesn’t want to know what happens? That situation has everything for high drama, yet it has to be heartbreaking. A perfect tag.

So we all need to read them and study how they were done, and do the same with ours. And we can. After all, we’re writers.

© Brenda Hill